Sharknado (2013)

IMDb plot summary: When a freak hurricane swamps Los Angeles, nature's deadliest killer rules sea, land, and air as thousands of sharks terrorize the waterlogged populace.
Directed by Anthony C. Ferrante. Starring Ian Ziering, Tara Reid, John Heard and Cassie Scerbo.

The husband and I finally managed to catch this on Netflix, and I can definitely say it did not disappoint as far as completely off-the-wall insanity. I was worried it was going to be slow, but there was an abundance of terrible acting and ridiculous action sequences to keep me entertained throughout... and I haven't laughed that hard at a final scene in a movie in a long time. Best. Rescue. Ever. It's obviously not what could ever be called a *good* movie, but if you're looking for something bizarre and ridiculous and super fun to snark, this is a solid choice. 3 stars?

Flickchart: #1281 out of 1965, below The Rescuers Down Under and above The Battle of Algiers.

Gravity (2013)

IMDb plot summary: A medical engineer and an astronaut work together to survive after an accident leaves them adrift in space.
Directed by Alfonso Cuarón. Starring Sandra Bullock and George Clooney.

(Spoilers ahead.) The only film I can think of which I really *would* suggest viewing it in 3D. The disorienting nature of 3D viewing fits beautifully with the story itself and the visuals, making for a truly immersive experience. (The scene where one astronaut is just spinning and spinning, with no sense of where she is, felt very much like I was there with her, instead of just watching.) Additionally, the story has a solid script and very good acting, building tension beautifully throughout. The final moment when she finally steps foot on Earth again was a perfect moment of release - such a satisfying conclusion. This may seem to be just a straightforward thriller with great visuals, but it's a really, really enjoyable one. 4 stars.

Flickchart: #426 out of 1964, below The Karate Kid (1984) and above Borat.

Picnic (1955)

IMDb plot summary: Emotions are ignited amongst the complacent townsfolk when a handsome drifter arrives in a small Kansas community on the morning of the Labour Day picnic.
Directed by Joshua Logan. Starring William Holden and Kim Novak.

I was in this play in college and didn't know if it would be weird to go back and watch this adaptation after being so close to it for awhile. It was, but not for the reasons I anticipated. It ended up being weird because I had to come to the conclusion that I do not like this play. I hadn't really allowed myself to admit it when I was in it, because I was trying so hard to immerse myself in it, but watching another adaptation years later, I find I dislike all the characters, I'm impatient with the melodrama, and nothing happens that I care about at all. Even quality actors like Rosalind Russell and William Holden don't elevate this story up to something I can enjoy. 1.5 stars.

Flickchart: #1577 out of 1963, below Sweet Revenge and above 27 Dresses.

Charulata (1964)

IMDb plot summary: Charu lives a lonely and idle life in 1870s India. Although her husband Bhupati devotes more time to his newspaper than to their marriage, he sees her loneliness and asks his brother-in-law,Umapada to keep her company. At the same time Bhupati's own brother, Amal, a would-be writer comes home finishing his college education. However, after several months, Charu and Amal's feelings for each other move beyond literary friendship.
Directed by Satyajit Ray. Starring Madhabi Mukherjee, Soumitra Chatterjee, and Shailen Mukherjee.

I feel like this was one of those movies where not being familiar with the culture was a major setback. It dealt with issues of gender, art, and politics, all which can come with very loaded agendas, and not knowing what these things meant to the characters at this time in this movie left me feeling confused. I was never sure what the movie's primary conflict even *was*, and the final few scenes were completely baffling to me in terms of what was being resolved, or left unresolved. I've clearly missed something. I just had such trouble following it, emotionally. 2 stars.

Flickchart: #1537 out of 1962, below Annie (1999) and above Color Me Kubrick.

The Devil Is a Woman (1935)

IMDb plot summary: Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone.
Directed by Josef von Sternberg. Starring Marlene Dietrich, Lionel Atwill, and Edward Everett Horton.

If I never have to see Marlene Dietrich roll her eyes and sigh dramatically to manipulate someone into doing what she wants, I shall be quite content. I hate everyone in this movie, from the obnoxiously coy and manipulative Dietrich to the men who apparently decided they owned her and could do whatever they wanted with her. I'm sure I was supposed to side with one and support their attempts to undercut the other's ruining their life, but I just hated everyone all round. It's a melodramatic mess of a story with unlikable characters and a long winding plot that doesn't really go anywhere. Not a fan. 1 star.

Flickchart: #1739 out of 1961, below Dumbo and above Band of Outsiders.

The Scarlet Pimpernel (1934)

IMDb plot summary: Leslie Howard plays Sir Percy Blakeney, an 18th century English aristocrat who leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror.
Directed by Harold Young. Starring Leslie Howard, Merle Oberon, and Raymond Massey.

Ever since I read the book, I have been strangely drawn to the Scarlet Pimpernel story. Whether it's the love story (oh gosh, that story just HOOKS me with the unrequited love angle and that delicious "he's loved me all the time" reveal) or the adventurous, almost swashbuckling actions of the Pimpernel, I find myself truly enjoy every incarnation of it. Leslie Howard here is perfect at playing both the Pimpernel and Sir Percy, jumping easily back and forth between being a competent, resourceful leader and a ridiculous prettyboy. I also really like Merle Oberon as Marguerite in this version - she is clearly conflicted and sad, but she makes smart, strong choices that flesh her out as a real person, far from the swooning dainty woman I expected her to be. In short, this is an excellent movie adaptation, and well worth the watch. 4 stars.

Flickchart: #478 out of 1960, below New York Stories and above You Can't Take It With You.

Man Hunt (1941)

IMDb plot summary: British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Directed by Fritz Lang. Starring Walt Pidgeon, Joan Bennett, and George Sanders.

While the premise of this movie is fascinating and the final 20 minutes or so are really captivating, the entire middle section with the romance was thoroughly uninteresting to me. I found the girl alternately bland and irritating, and I got impatient with their relationship. I admire the theme and overall arc of the movie, but the actual execution of it was not my favorite. 2.5 stars.

Flickchart: #1180 out of 1959, below Hustle & Flow and above Lincoln.