Coherence (2013)

IMDb plot summary: Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead.
Directed by James Ward Byrkit. Starring Emily Baldoni, Maury Sterling, Nicholas Brendon, and Lorene Scafaria.

I'm going to try to talk about this without being spoilery, because I suspect this would be the most fun going into it pretty blind like I did. This is a really enjoyably weird little movie. Like many thrillers set in one location, it occasionally gets a little cheesy in its explanations and a little tedious in its character interactions, but the premise is so engaging that I found it easy to overlook that and just go along for the ride. The best part, by far, though, was the ending. The last 10-15 minutes were so fascinating. This is the kind of hidden gem I get so excited about encountering in these movie challenges, because I almost certainly wouldn't have known to pick this up on my own.

4 stars.

How it entered my Flickchart:
Coherence > Beach Party
Coherence > All's Faire in Love
Coherence < Breakfast at Tiffany's
Coherence < Godspell
Coherence > Waitress
Coherence < Hidden Figures
Coherence > The Awful Truth
Coherence < Fences
Coherence < Super 8
Coherence < Walking and Talking
Coherence < Sneakers
Coherence < Big Man Japan

Final spot: #554 out of 2632.

The Fly (1958)

IMDb plot summary: A scientist has a horrific accident when he tries to use his newly invented teleportation device.
Directed by Kurt Neumann. Starring David Hedison, Patricia Owens, Vincent Price, and Herbert Marshall.

This was nothing like I expected. For one thing, did you know Vincent Price isn't the Fly? I didn't. This is a dramatic tragedy more than a horror movie, going very slowly, building its characters and its tension bit by bit. I was expecting a lot more creepy imagery of man/bug hybrids, though I have a feeling the Cronenberg remake would deliver on that front. My overwhelming reaction to this was not horror or disgust (in the good way I expected) but such sadness. Both the scene where he writes his farewell love letter to his wife and the scene where they finally find the fly made me want to cry at this awful, tragic experiment gone wrong. It makes me think, in an odd way, of the Blair Witch Project, a similarly slow movie that obviously depends more on scares than this does, but both of them just made me profoundly sad at how badly awry these characters' lives had gone, and how easily all that awfullness could have been erased if they had just changed one thing about the way they did things in the past. I liked this a lot, and I feel like it's one that will really hold up to later rewatches.

4.5 stars.

How it entered my Flickchart:
The Fly > Beach Party
The Fly > Kolya
The Fly > Benny & Joon
The Fly < Zombieland
The Fly < Blue Jasmine
The Fly > Trust
The Fly < Welcome to Dongmakgol
The Fly < Babe
The Fly > Sabrina (1954)
The Fly < Mighty Aphrodite

Final spot: #281 out of 2630.

Frank (2014)

IMDb plot summary: Jon, a young wanna-be musician, discovers he's bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.
Directed by Lenny Abrahamson. Starring Domnhall Gleeson, Michael Fassbender, Maggie Gyllenhaal, and Scoot McNairy.

There are some films that I watch, and I particularly find this true of films about mental illness, that don't necessarily work for me if I try to analyze them on an intellectual level, nor does it overwhelming me with emotion, but I am left with some sort of emotional piece of it just... sitting inside me. Melancholia hit me this way and has ended up being one of my favorites because the emotional piece that resonated just kept getting stronger the longer I sat with it, and now it permeates the entire thing for me. I don't know yet if Frank will do quite the same thing -- I need to let it sit a bit longer before I can really solidify it -- but at this moment I can say that the final performance of the band just keeps sitting in the pit of my stomach and bringing the sounds and the images of that moment back to me.

The movie definitely takes a twist when it comes to its tone, playing itself first as a funny, maybe too-quirky band comedy, and then suddenly taking a depressingly dark turn (at least for me) in the last 30 minutes or so. I think it still works, I think I still like it a lot, but it's hard to really figure out why or how. At least for now.

3.5 stars.

How it entered my Flickchart:
Frank > The Family Man
Frank > Kolya
Frank < All's Faire in Love
Frank > Don Jon
Frank < Misery
Frank < The Mummy (1932)
Frank > Steamboat Bill, Jr.
Frank > The Kid (2000)
Frank < Freaky Friday (2003)
Frank > Days of Wine and Roses
Frank > The Master
Frank > Thor

Final spot: #914 out of 2629. Freaky Friday is too low.

Sahara (2017)

IMDb plot summary: Two clans of snakes cohabit in the desert. Here is the story of Ajar, a young venomous serpent, laughed at by his peers because he still has not done his first molt and that of Eva, rebellious princess of the oasis who wants to escape an arranged marriage.
Directed by Pierre Coré. Starring Omar Sy, Louane Emera, Franck Gastambide, and Vincent Lacoste.

This is an incredibly odd little film that vacillates between being too run-of-the-mill to interest anyone and then, abruptly, completely bizarre. The bizarre moments are definitely my favorite (I really want to make a ringtone of that creepy "welcoming song" the bugs sing) but the rest of the movie is mostly just dull. Aside from one great scene in a sandstorm toward the end, the animation looks ugly, both in design and in movement. Most of the side characters are extremely irritating and add very little to the primarily plot. It's a pretty unimpressive addition from Netflix to the animated film genre.

1 star.

How it entered my Flickchart:
Sahara < Beach Party
Sahara < Kindergarten Cop
Sahara < Father of the Bride (1950)
Sahara < Captain January
Sahara > Ella Enchanted
Sahara > The Matrix Revolutions
Sahara > She's the Man
Sahara > On Our Own
Sahara < Boys Town
Sahara > Friends With Money
Sahara > Ace Ventura: Pet Detective

Final spot: #2470 out of 2628. This is a bit unfairly low.

Pee-Wee's Big Adventure (1985)

IMDb plot summary: When eccentric man-child Pee-Wee Herman gets his beloved bike stolen in broad daylight, he sets out across the U.S. on the adventure of his life.
Directed by Tim Burton. Starring Paul Reubens, Elizabeth Daily, Mark Holton, and Diane Salinger.

Oh boy. I tried to give this one a fair shot, guys, I really did. But eight minutes in I turned to Jacob and said, "I hate this so much already." Pee-Wee is one of the most obnoxious, irritating characters I've seen on screen since, I can only assume, the last time someone successfully made me watch an Adam Sandler movie. Everything about him bugs me, from his incessant giggling at absolutely nothing to the fact that when he's not giggling he's spewing out a chaotic array of cartoon noises to his cutesy gait to the fact that his voice sounds like a kazoo. The only times when I was able to not hate him were when I could convince myself this was a genuinely mentally disabled adult and I shouldn't be so vehemently against him, but then I just felt meaner than ever watching a movie that was clearly laughing at his mishaps, so I stopped that and just went back to hating him.

I can see the Tim Burton-y elements in the film and they are kind of engaging, particularly in the dream sequences, but since Pee-Wee dominates every scene, I get no respite at all from him and can't even begin to decipher whether I'd like the rest of the movie were it centered around some other, less irritating quirky character. There's no comedic or narrative center to this movie at all other than the fact that, teehee, Pee-Wee's quirky and everybody acts like he's not, and since that doesn't work for me at all, nothing works for me.

0.5 stars.

How it ended up in my Flickchart:
Pee-Wee's Big Adventure < Beach Party
Pee-Wee's Big Adventure < Kindergarten Cop
Pee-Wee's Big Adventure < Red River
Pee-Wee's Big Adventure < They Were Expendable
Pee-Wee's Big Adventure < American Gangster
Pee-Wee's Big Adventure > Left Behind II: Tribulation Force
Pee-Wee's Big Adventure > Barnyard
Pee-Wee's Big Adventure > Radio
Pee-Wee's Big Adventure < Bean
Pee-Wee's Big Adventure > The Incredible Mr. Limpet
Pee-Wee's Big Adventure < Laserblast

Final spot: #2552 out of 2627.

Wild (2014)

IMDb plot summary: A chronicle of one woman's 1,100-mile solo hike undertaken as a way to recover from a recent personal tragedy.
Directed by Jean-Marc Vallée. Starring Reese Witherspoon, Laura Dern, Thomas Sadoski, and Keene McRae.

I can see where Wild is trying to go. There's an Eat Pray Love vibe to it -- an inspirational movie based on a memoir about a woman leaving everyone behind to do *something* that she hopes will help her find her footing. The problem with Wild is that it's not as well-structured as Eat Pray Love, nor is our character very well fleshed out. We see scattered glimpses of her past life and a narrative of her current journey, but those two halves are not nearly as connected as they want to be. They don't even seem to have happened to the same person. Those flashbacks are delivered in a very wonky order, putting the emotional peaks in strange places. This is something that could definitely have improved with a stronger script, because there are some moments that work well, particularly those moments showing Cheryl's vulnerability out on the trail, either from the elements or from losing supplies or from sketchy people she encounters. But it's just unfocused enough to miss its mark, emotionally -- at least for me.

2.5 stars.

How it entered my Flickchart:
Wild < Dead Man Walking
Wild > Kindergarten Cop
Wild < The King and I
Wild > Throw Momma from the Train
Wild > Almost Famous
Wild > Les Miserables (1935)
Wild > Gilda
Wild > The Seventh Seal
Wild > La Dolce Vita
Wild > Burning Annie

Final spot: #1644 out of 2626.

Cambio de ruta (2014)

IMDb plot summary: Nicte is the best guide for tourists of the Riviera Maya. Suddenly the local company for which she works is bought and Nicte is forced to start from zero and form her own company.
Directed by Christopher Hool. Starring Sandra Echeverría, Osvaldo de León, Héctor Jiménez, and Carolina Bang.

This is basically a by-the-book romantic comedy/drama with no surprises or originality. The leads are pretty to look at but don't come with much personality, especially our male lead. Even the villains aren't as interesting as I hoped they would be. Honestly, the most engaging "character" throughout is the Riviera Maya itself. I cared more about whether the area itself would be destroyed by the corporate tourism center than I did about any of the personal outcomes of the characters. It's harmless and it goes by fast, but there's nothing here to really recommend.

2 stars.

This movie is not on Flickchart yet. I am submitting it to the database and will update when it's been added.