Bridget Jones: The Edge of Reason (2004)

I was a fan of the first movie, and I'm certainly not going to pretend this sequel was nearly as clever as its predecessor. Several of the moments in this one were far-fetched and generally ridiculous. The entire Thai prison plotline ran like something out of a bad road trip comedy. But the characters I loved in the first movie are still in place. Colin Firth and Hugh Grant still reign supreme as the potential love interests, and Renee Zellweger, though a bit more over-the-top here than necessary, still plays a real-life, awkward, clumsy person who does NOT do everything right. Kudos to them. A passable follow-up, though not a great one. 3 stars.

Topsy-Turvy (1999)

This was one of my favorite portrayals of the theater in moviedom ever. The film dedicates large amounts of time to just watching rehearsals, and entire songs from the opera. I thoroughly enjoyed this, although I can't imagine it being nearly as interesting to someone not interested in theater. Jim Broadbent continues to impress me as one of those actors who usually appears in seldom-noticed side roles, but here he is a brilliant portrayal of the artistic perfectionist, determined to make his work genius and despairing that it ever will be. The story itself is not gripping, but the little moments throughout are very much so. Highly recommended to theater fans, less so to others. 4 stars.

Mamma Mia! (2008)

A small portion of this movie got it right. ABBA's songs are certainly meant to be sung by joyous characters on the beach. I'm pretty sure they weren't supposed to be sung by flailing actresses, though. Or thrown into a script that seems to assume no one in the world has aged past the age of 16 emotionally. By the end of the movie, I was so amused by how immature all the characters were that I had resorted to making snarky comments at the screen. Songs that begin promisingly ("Lay Your Love On Me") suddenly trip over horrible choreography and directing and fall flat. Meryl Streep gesticulates so wildly during her solos - I'm not sure whether she was directed stupidly, or doesn't know what to do with her hands when she sings. Also, Pierce Brosnan is far, far, far from a singer. The soundtrack might be worth getting... the frenetic, hyperactive movie is not. 2.5 stars.

Fatal Attraction (1987)

Quite a satisfying thriller. It builds up very solidly, creepy without being overly melodramatic. Glenn Close played her character brilliantly. This whole movie masters the art of the build-up, creating a believably tense story about the dangers of this man's impulsive choices. 3.5 stars.

Shadows and Fog (1991)

(Some spoilers in this review.)

This is the most visually tantalizing film by Woody Allen, with the possible exception of Manhattan's opening five minutes. Steeped in... well, shadows and fog, every scene plays out like everyone's awake at 4:00 in the morning, not quite themselves, not quite sure of what's going on them. Judging by reviews of the film, many people felt the message was too convoluted, trapped beneath an impressive cast list and jokes that fall flat. The message takes some thinking through, especially with the misleadingly happy ending that may seem unsatisfying and trite if taken at face value. The image of Allen's character never knowing what his part in the plan is (although everyone else seems to know and finds him incompetent for not knowing) stuck with me long after the film ended. Not a perfect Allen film, but one worth hashing through afterwards. 3.5 stars.

Ratatouille (2007)

Pixar continues to amaze me with the creative ideas they come up with. Not just a story about a rat, but a story about a rat who wants to be a gourmet chef. This movie paints the city of Paris and the world of gourmet food in dazzling colors that draw everyone in, even young children. The plot is a little formulaic halfway through its brilliant beginning, but remains solidly entertaining all the way through.

Pixar has learned the masterful art of telling stories without being entirely dependent on dialogue. In a lesser studio's movie, the wisecracking rat would be hissing insults at the rookie chef left and right, and the chef would be responding. Instead, the chef cannot understand his friend, and the two of them have to come up with a way of communicating. This communication lasts all throughout the movie -- carrying this bizarre relationship of one-sided dialogue all the way to the end. Wall-E conveyed a beautiful story with only five or six words spoken in the first forty minutes. That innovative tactic of showing, rather than telling and wisecracking about it (which most cartoons have come to rely on), can be seen in a slightly different way as Remy makes the perfect menu without once being able to voice his opinion to his human friend. 4 stars.

Michael Clayton (2007)

George Clooney has a tendency to be in movies I admire a lot, but don't really enjoy. This was one of them. It was a satisfying watch, but I spent more time than I would have liked to trying to follow the plotline. Tom Wilkinson's portrayal of the crazed Arthur Edens is definitely worth noting, though. 3 stars.