IMDb plot summary: Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity.
Directed by Pablo LarraΓn. Stars Angelina Jolie, Pierfrancesco Favino, and Alba Rohrwacher.
Maria is a biopic of opera singer Maria Callas in the final days of her life. Callas is played by Angelina Jolie, and we see her reminiscing about her past fame, as well as working to restore her damaged voice. I didn't realize until after finishing the film that this is the third in the trilogy of famous women of the 1900s that included Jackie and Spencer before, but it makes sense, because this one is compelling in a very similar way. I was fascinated by its choice to hop in and out of the realism of the story, mirroring Callas' fragile mental state. This is one of Jolie's best acting performances, in my opinion, and not just because of the fact that she studied opera to be able to do her own singing, and while we would never believe her as Callas in her prime (thus using recordings for those sequences), I can totally buy her as a ruined Callas. It's a sad and contemplative film that overall really hits its markers for me. Definitely worth checking out if you are a fan of opera or Angelina Jolie or any of the other films in this biopic series.
π₯ Maria (2024)
π Ranked #797/4277 on my Flickchart
π― Flickscore™: 81
beat John and Mary (#2182 → #2183)
beat The Other Boleyn Girl (#1091 → #1093)
lost to I ♥ Huckabees (#570 → #572)
lost to The History of Future Folk (#852 → #863)
lost to Night Must Fall (#987 → #993)
beat Amistad (#1065 → #1113)
beat The Other Side of Sunday (#1023 → #1025)
lost to The Phantom of the Opera at the Royal Albert Hall (#1006 → #1009)
lost to Fruitvale Station (#1016 → #1017)
lost to The Wild Robot (#1014 → #831)
beat Kwaidan (#973 → #979)
lost to The Quick and the Dead (#1019 → #1021)





