If I Had Legs I'd Kick You (2025)

IMDb plot summary: While trying to manage her own life and career, a woman on the verge of a breakdown must cope with her daughter's illness, an absent husband, a missing person, and an unusual relationship with her therapist.

Directed by Mary Bronstein. Stars Rose Byrne, Conan O'Brien, and Danielle Macdonald.

If I Had Legs I'd Kick You stars Rose Byrne as a truly overwhelmed mother. Her husband's job keeps him away from her for weeks at a time, and she's left having to care for their medically fragile daughter, and she's at the end of her rope. This film is terrifying, claustrophobic, and basically exactly what I imagine motherhood is like. I have never felt so validated in my decision to be childfree. It does a great job of showing how exhaustion and panic can start exaggerating and blurring reality in a really scary way -- there was a large portion of the movie that I was fully convinced was a dream, only for it to be revealed as reality. I also appreciate the choice to not show the daughter's face until the end. It makes it easier for us to empathize with Byrne and feel the overwhelm. The ending seems a bit abrupt and doesn't fully work for me, but I appreciate what it's trying to do. An interesting movie, albeit one I never want to watch again, and a tour de force performance from Rose Byrne.

🎥 If I Had Legs I'd Kick You (2025)

📊 Ranked #1840/4202 on my Flickchart

🎯 Flickscore™: 56

beat Happythankyoumoreplease (#2101 → #2102)

lost to Heathers: The Musical (held at #1039)

lost to Ping Pong Playa (held at #1566)

lost to Swiss Army Man (held at #1837)

beat Malcolm & Marie (#1969 → #1970)

beat My Date with Drew (#1903 → #1904)

beat The Three Musketeers (#1870 → #1871)

beat Jesus Christ Superstar Live in Concert (#1854 → #1855)

beat Oddity (#1845 → #1846)

beat Splice (#1841 → #1842)

lost to Lord of War (held at #1839)

Dutch (1991)

IMDb plot summary: To get to know his girlfriend's son, a working-class good guy volunteers to pick him up from his prep school, only to learn that he isn't the nicest young man.

Directed by Peter Faiman. Stars Ed O'Neill, Ethan Embry, and JoBeth Williams.

Dutch stars Ed O'Neill as a man dating a divorced woman, and he offers to drive her spoiled son (played by Ethan Randall) home from boarding school for break, to let the two of them bond. Road trip hijinks ensue as the two constantly try to gain the upper hand over the other. This film is written by John Hughes, and when his films work, it's because he engenders empathy for his characters and helps us root for them, but that's nowhere to be found here. I suspect I'm meant to feel a stronger sense of karma as the spoiled kid gets what he "deserves," but he's just a hurting kid, not villainous enough for me to get a kick out of his comeuppance. There aren't a lot of laughs here and even less heart. This is one of the lower points in my Hughes filmography challenge. It's not a particularly long movie, but I felt like I was watching it for decades, because it was so unenjoyable.

🎥 Dutch (1991)

📊 Ranked #3596/4201 on my Flickchart

🎯 Flickscore™: 14

lost to How I Live Now (held at #2099)

lost to The Disappearance of Alice Creed (held at #3153)

beat Father Brown (#3679 → #3680)

lost to Pinocchio (held at #3415)

lost to Freaky Friday (held at #3549)

beat You Will Meet a Tall Dark Stranger (#3614 → #3615)

lost to The Four Horsemen of the Apocalypse (held at #3581)

beat Premonition (#3597 → #3598)

lost to Robin Hood: Men in Tights (held at #3589)

lost to Weekend (held at #3593)

lost to The Formula (held at #3595)

Together (2025)

IMDb plot summary: Years into their relationship, Tim and Millie find themselves at a crossroads as they move to the country. With tensions already flaring, an encounter with an unnatural force threatens to corrupt their lives, their love and their flesh.

Directed by Michael Shanks. Stars Dave Franco, Alison Brie, and Damon Herriman.

Together stars James Franco and Alison Brie as a couple who move from their city home to a remote location for Brie's job. The move reveals some cracks in their relationship, and that's even before they get temporarily trapped in a mysterious cave and start having bizarre physical symptoms. This movie is definitely horror, but it's equal parts relationship drama, and I didn't anticipate that, going into it. The film has such a claustrophobic feel to it, particularly as we sit inside Dave Franco's discontent in the relationship as it is. The body horror actually takes a long time to kick in, but when it does, it ramps up fast and spikes in really intense ways. Some spoilers ahead here: The final scene is such an optimistic ending to what has been, up until that point, a pretty horrific series of events, and then suddenly it culminates in something that I found extremely... life-affirming. Definitely a unique movie, definitely a strange one, but I had a good time with it.

🎥 Together (2025)

📊 Ranked #837/4200 on my Flickchart

🎯 Flickscore™: 80

beat How I Live Now (#2098 → #2099)

beat Heathers: The Musical (#1038 → #1039)

lost to All Quiet on the Western Front (held at #518)

lost to True Lies (held at #778)

beat Support Your Local Sheriff! (#907 → #908)

beat Manon of the Spring (#842 → #843)

lost to Mars Attacks! (held at #810)

lost to Weapons (held at #826)

lost to Pather Panchali (held at #834)

beat The Wild Robot (#838 → #839)

lost to Cats (held at #836)

The Man With the Golden Gun (1974)

IMDb plot summary: James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.

Directed by Guy Hamilton. Stars Roger Moore, Christopher Lee, and Britt Ekland.

The Man With the Golden Gun is a Roger Moore James Bond film, in which the titular Man with the Golden Gun sends Bond a threat, which leads to 007 traipsing around the world looking for his potential assassin, and the piece of technology that he's stolen. This definitely cements for me that the Roger Moore era of Bond is the one I'm most likely to enjoy. It's big and bold and often silly, especially in its final moments -- one of Bond's near scrapes with death comes from a scantily clad woman accidentally hitting the wrong lever with her rear end. Since the story is set in Asia, there's an unfortunate amount of orientalism, which is certainly hard to watch at times. The film is on much surer footing once we get to the island, as Christopher Lee is delightful as the villainous Salamanca. There are now two Bond films I can confidently say I like, and both are Moore. Guess I should watch the rest of his!

How it entered my Flickchart:

🎥 The Man with the Golden Gun (1974)

📊 Ranked #971/4199 on my Flickchart

🎯 Flickscore™: 77

beat Deep Impact (#2098 → #2099)

beat The Other Boleyn Girl (#1038 → #1039)

lost to All Quiet on the Western Front (held at #518)

lost to True Lies (held at #778)

lost to Support Your Local Sheriff! (held at #907)

beat Little Women (#972 → #973)

lost to Kwaidan (held at #939)

lost to Westworld (held at #955)

lost to Sisters (held at #963)

lost to The Beguiled (held at #967)

lost to The House (held at #969)

lost to Mirage (held at #970)

beat The Impostors (#971 → #972)

Kpop Demon Hunters (2025)

IMDb plot summary: A world-renowned K-Pop girl group balance their lives in the spotlight with their secret identities as demon hunters.

Directed by Chris Appelhans and Maggie Kang. Stars Arden Cho, May Hong, and Ji-young Yoo.

Kpop Demon Hunters is an animated film about a mega-popular girl group who are secretly using the power of music to ward off demons. But one day, a rival boy band, made up of demons masquerading as humans, comes to challenge their spot... and one of them discovers some of their secrets. This was a huge hit this year, and I totally get why -- this is a good movie! Of course, the music is the biggest draw here, and it works. These are great, catchy songs (although the one nominated for the Oscar was by far the least interesting one in here). But there's a lot of entertaining fantasy metaphor going on in this story as well, and a great coming-of-age story. I do read and watch enough YA that I see a lot of similarities to other fantasy trauma metaphors in recent years, so it doesn't feel new enough to blow me away, but the music helps keep it fresh for sure. Overall simple but likeable, with some very fun music.

How it entered my Flickchart:

🎥 KPop Demon Hunters (2025)

📊 Ranked #1090/4198 on my Flickchart

🎯 Flickscore™: 74

beat Happythankyoumoreplease (#2098 → #2099)

lost to Steven Universe: The Movie (held at #1039)

beat The United States vs. Billie Holiday (#1564 → #1565)

beat Punch-Drunk Love (#1302 → #1303)

beat The Woodsman (#1169 → #1170)

beat Australia (#1104 → #1105)

lost to Point Break (held at #1071)

lost to Joyeux Noel (held at #1088)

beat Barbie (#1096 → #1097)

beat H.M.S. Defiant (#1092 → #1093)

beat Pariah (#1090 → #1091)

Impromptu (1991)

IMDb plot summary: In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sandsn.

Directed by James Lapine. Stars Judy Davis, Hugh Grant, and Mandy Patinkin.

Impromptu is a period piece primarily centering around the romance between composer Frederic Chopin and writer George Sand. Sometimes I'm very much down for a good period romance, but this one is really a slog. Hugh Grant is a year or two off from really hitting it big as Hollywood's leading man, and he's awkwardly dull and lifeless here. I really want to like Judy Davis as Sand, but her neediness makes the romance so uninteresting. The ups and downs of the different characters start feeling tedious far too early in the film, and it never gets better. There's just not a lot to remember or appreciate about this one, sadly.

How it entered my Flickchart:

🎥 Impromptu (1991)

📊 Ranked #3814/4197 on my Flickchart

🎯 Flickscore™: 9

lost to Happythankyoumoreplease (held at #2098)

lost to Sliding Doors (held at #3151)

lost to Father Brown (held at #3676)

beat Little Miss Marker (#3935 → #3936)

lost to The Battle of Algiers (held at #3805)

beat Mannequin (#3870 → #3871)

beat It's the Great Pumpkin, Charlie Brown (#3837 → #3838)

beat The Host (#3821 → #3822)

lost to The Haunting (held at #3813)

beat Raid on Rommel (#3817 → #3818)

beat The Christmas That Almost Wasn't (#3815 → #3816)

It Was Just an Accident (2025)

IMDb plot summary: An unassuming mechanic is reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor. Panicked, he rounds up a few of his fellow ex-prisoners to confirm the man's identity.

Directed by Jafar Panahi. Stars Vahid Mobasseri, Mariam Afshari, and Ebrahim Azizi.

It Was Just an Accident is an Iranian film about a group of former political prisoners who, years later, discover the man who they believe they recognize as their cruelest captor, and the group must decide what to do with him. I really wish this had gotten more attention around the Oscar season, because I think this is a seriously great movie. It does such a beautiful job of highlighting all these different characters and how they have processed and continued to process their past trauma, and what it has led to them being as humans. These acting performances are so compelling, and it truly feels at times like just watching a group of actual people work through a serious dilemma, with all the panic and anger that comes along with it. Without giving anything away, I was also really pulled in by the ending, which allowed for just enough resolution for it to feel meaningful without undercutting how impossible the whole situation was. It's a good movie that is easily my pick for best foreign film this Oscar season.

How it entered my Flickchart:

🎥 It Was Just an Accident (2025)

📊 Ranked #908/4196 on my Flickchart

🎯 Flickscore™: 78

beat How I Live Now (#2095 → #2096)

beat Fever Pitch (#1039 → #1040)

lost to All Quiet on the Western Front (held at #518)

lost to True Lies (held at #778)

lost to Support Your Local Sheriff! (held at #907)

beat American Dreamz (#972 → #973)

beat Misery (#939 → #940)

beat Sansho the Bailiff (#923 → #924)

beat Ghost Town (#915 → #916)

beat Easy A (#911 → #912)

beat The Graduate (#909 → #910)