The Banshees of Inisherin (2022)

IMDb plot summary: Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.

Directed by Martin McDonagh. Starring Colin Farrell, Brendan Gleeson, and Kerry Condon.

The Banshees of Inisherin is set in a small fictional Irish town, focusing on two men who have been best friends for ages, until one, played by Brendan Gleeson, abruptly decides he doesn't like the other anymore and draws strict boundaries. We follow the rejected one, played by Colin Farrell, as he tries to negotiate and persuade and occasionally intimidate his former friend into restoring the relationship. Martin McDonagh has such a talent for blending comedy and tragedy in his work, and while many of his previous films have leaned more one way or the other, this one absolutely lands right in the middle for me, both laugh-out-loud funny at times and gut-punchingly sad. And more than any of his other work, this one leans heavily into the lyricism of the Irish dialect in this village -- so many line readings that wouldn't have worked at all in any other context. I wasn't fully sold on the film's ending, but that's pretty consistently true of McDonagh's work for me, and the ride was thoughtful and enjoyable enough that I don't mind if it falters a little bit in the final moments.

How it entered my Flickchart:

The Banshees of Inisherin > King Kong Escapes

The Banshees of Inisherin > Anna Karenina

The Banshees of Inisherin > The White Tiger

The Banshees of Inisherin < Deathtrap

The Banshees of Inisherin > Shaolin Soccer

The Banshees of Inisherin < Saving Mr. Banks

The Banshees of Inisherin < Broadway Danny Rose

The Banshees of Inisherin > Nosferatu

The Banshees of Inisherin < 50/50

The Banshees of Inisherin < Fail-Safe (1964)

The Banshees of Inisherin < And Now for Something Completely Different

The Banshees of Inisherin < The Young Girls of Rochefort

Final spot: #336 out of 3755, or 91%. That seems high, but TCDNL.

Journey to Greenland (2016)

IMDb plot summary: Thomas and Thomas are going through a rough patch: they are both thirty-something actors living in Paris. They randomly decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenland, where Thomas' father Nathan lives. Among the Inuit community, they will discover the charms of the local customs and their friendship will be challenged.

Directed by Sébastien Betbeder. Starring Thomas Blanchard, Thomas Scimeca, and François Chattot.

Journey to Greenland follows a French actor who visits his father in Greenland and brings a buddy along. The two explore the area, learn more about the culture, and make some decisions about their lives. I sought out this movie because I had apparently never seen a film produced in Greenland, and this was the easiest one for me to find to check that off my list. I'll need to look for more at some point because while this is a decent enough little movie, I'd rather see a story about the people of Greenland with an insider lens more than this outside one. This movie has some lovely Arctic scenery and does a great job of setting the atmosphere of these young men's journey, and there's one surprisingly tense scene where we spend a full three minutes watching them desperately try to keep their dial-up Internet connection strong enough to submit the information they need to stay in business as working actors, but the character development as a whole is pretty underwhelming, and it's disappointing that we don't really get to spend much time with any of the individual residents of this town. The film casts a wide net and capture a few interesting moments, but I hoped for more from it.

How it entered my Flickchart:

Journey to Greenland > King Kong Escapes

Journey to Greenland < Anna Karenina

Journey to Greenland < Die Hard

Journey to Greenland < You Can Count on Me

Journey to Greenland < Summer of Soul

Journey to Greenland < Hans Christian Andersen

Journey to Greenland > Horton Hears a Who

Journey to Greenland < Resurrect Dead: The Toynbee Tiles

Journey to Greenland < A Silent Voice

Journey to Greenland < For Pete's Sake

Journey to Greenland > The Bat Whispers

Journey to Greenland < Dodsworth

Final spot: #1845 out of 3754, or 51%.

The Bat Whispers (1930)

IMDb plot summary: A master criminal terrorizes the occupants of an isolated country mansion.

Directed by Roland West. Starring Chester Morris, Una Merkel, and William Bakewell.

The Bat Whispers focuses in on a house that finds itself at the center of a series of crimes, including a bank robber and a mysterious thief known only as "the Bat." The inhabitants of the house try to solve the mysteries as they arise. This is based on a play, and this is exactly the kind of play I could see a high school latching onto to perform -- lots of distinct characters, lots of fun twists and turns, some fun almost farcical moments of confusion. But in the end, it really didn't land that well. What I liked most about it was the lead character, the middle-aged rich woman who owns the house, and while you expect her to mostly be snobby and prudish, she ends up being one of the more competent detectives among the group. There are also some fun eerie shots of The Bat as he stalks various people in the story, and I found I wanted far more of that than I did the stories of our ensemble cast solving crimes. It's a decent movie but doesn't fully deliver on the parts that are most interesting.

How it entered my Flickchart:

The Bat Whispers > The Secret Life of Walter Mitty (1947)

The Bat Whispers < Anna Karenina

The Bat Whispers < Die Hard

The Bat Whispers < You Can Count on Me

The Bat Whispers < Summer of Soul

The Bat Whispers < Hans Christian Andersen

The Bat Whispers > The Invention of Lying

The Bat Whispers < Resurrect Dead: The Mystery of the Toynbee Tiles

The Bat Whispers < A Silent Voice

The Bat Whispers < For Pete's Sake

The Bat Whispers > Kodachrome

The Bat Whispers < Dodsworth

Final spot: #1845 out of 3753, or 51%.

Tár (2022)

IMDb plot summary: Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and the very first female director of a major German orchestra.

Directed by Todd Field. Starring Cate Blanchett, Noémie Merlant, and Nina Hoss.

Tár stars Cate Blanchett as Lydia Tár, an acclaimed orchestral conductor. We follow her as she completes one of her greatest goals, to record the last of a series of Mahler pieces that will complete a set, and we see the dismissive and manipulative ways in which she uses the people around her as means to an end. Cate Blanchett is fantastic here, really capturing the cold pretentiousness and self-involvement of her character, and while she's an unpleasant person, she's the kind you can't stop watching, which makes this 2.5 hour movie fly by. I'm not sure I got as much meaning out of this as a lot of the folks praising it, but it was definitely an interesting and thoughtful watch. I will say the final sequence was nearly incomprehensible to me as someone completely unfamiliar with what it was referencing, so I had to go look up what exactly was happening (my mind was going straight to some bizarre sci-fi answer!) but it made sense and resonated once I knew what was going on. Blanchett is the reason to see this one, and it's definitely worth it for her work.

How it entered my Flickchart:

Tár > The Secret Life of Walter Mitty (1947)

Tár < Safe

Tár > The Romantics

Tár < The Mummy (1932)

Tár < 35 Up

Tár > Panic Room

Tár < The Exterminating Angel

Tár > Say Anything...

Tár > An Education

Tár < Sweeney Todd: The Demon Barber of Fleet Street (1982)

Tár < To Kill a Mockingbird

Tár > Oh Darling Yeh Hai India

Final spot: #1324 out of 3752, or 65%.

For Pete's Sake (1974)

IMDb plot summary: A housewife tries to finance her cab-driving husband's education.

Directed by Peter Yates. Starring Barbra Streisand, Michael Sarrazin, and Estelle Parsons.

For Pete's Sake stars Barbra Streisand as a housewife who manages to scrounge up some money for an investment deal her husband has learned about, but when the deal stops looking so certain, she has to find a way to pay the money back. That sounds like the premise of a crime film, but this one is played entirely for comedy, with Streisand's characters going to greater and greater lengths to try to get the money quickly. It's easy to see the inspirational line between this and What's Up, Doc? from just a year earlier, another zany screwball comedy starring Streisand as a well-intentioned woman sowing chaos wherever she goes. This one isn't quite as smooth. There are a handful of funny one-liners and situations, but overall the situations are hard to laugh at with the sort of broad comedy this is aiming for, especially in a very uncomfortable section of plot where Streisand attempts sex work to raise the money and her deep discomfort is played for laughs but mostly comes across as horrifying. Add to this the fact that her husband is a deeply unlikable character and it's hard to empathize with her desire to make everything work out for him, and the stakes are in the wrong place for this to really work. As I said, some good moments, but it falls flat.

How it entered my Flickchart:

For Pete's Sake > The Ghost and the Darkness

For Pete's Sake < Safe

For Pete's Sake < The Romantics

For Pete's Sake < You Can Count on Me

For Pete's Sake < Summer of Soul

For Pete's Sake < Hans Christian Andersen

For Pete's Sake > Following

For Pete's Sake < Resurrect Dead: The Mystery of the Toynbee Tiles

For Pete's Sake < A Silent Voice

For Pete's Sake > Dodsworth

For Pete's Sake < The Girl on a Motorcycle

For Pete's Sake < VeggieTales: Madame Blueberry

Final spot: #1842 out of 3751, or 51%.

Outward Bound (1930)

IMDb plot summary: A group of strangers find themselves aboard an unmanned ship, surrounded by fog and uncertain of their destination.

Directed by Robert Milton. Starring Leslie Howard, Douglas Fairbanks Jr., and Beryl Mercer.

Outward Bound is a 1930 film based on a stage play in which seven people on a boat all realize that they are dead and that the boat is taking them to the afterlife. At first everyone's just drifting around on the boat in a haze, but one character figures it out and goes around trying to get the others to understand. This is a pretty short film at just under 90 minutes, but I do wish we had more time to get to know each of the characters a little better. It's a small enough cast that that should be possible, but we really only spend extended time with the young couple who are there together. But that's a fairly small gripe, as even the broad strokes these characters are painted with make them interesting enough to watch, especially as they come to the end of their journey and are judged by the "evaluator" before going ashore. And the one couple we do focus on has a really interesting story that comes to an end in a way I didn't see coming at all but that really worked for me. It's an interestingly done film with a unique concept for its time.

How it entered my Flickchart:

Outward Bound > The Ghost and the Darkness

Outward Bound > Anna Karenina

Outward Bound < Secretary

Outward Bound > Nope

Outward Bound < Down With Love

Outward Bound > 5 Centimeters Per Second

Outward Bound < Buried

Outward Bound > Cats and Dogs

Outward Bound > Werewolves Within

Outward Bound < They Live

Outward Bound < The Russians Are Coming, the Russians Are Coming!

Outward Bound > See You Yesterday

Final spot: #620 out of 3750, or 83%.

The Fabelmans (2022)

IMDb plot summary: Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.

Directed by Steven Spielberg. Starring Michelle Williams, Gabriel LaBelle, and Paul Dano.

The Fabelmans is Steven Spielberg's newest movie, a sort of fictionalized version of his childhood. We follow Sammy Fabelman, a child (and then teenager) who falls in love with filmmaking, and we see how his parents' unsteady relationship and eventual divorce shape him as a young artist. While it would be very easy for a film about loving film to feel pretentious and unrelatable, Spielberg as always knows how to capture the hearts of his audience by centuring the drama around human relationships. Michelle Williams and Paul Dano are especially watchable as his parents -- definitely anticipating some Oscar nominations for the acting. Warmth and love for these characters is woven throughout the whole thing, and it makes all the emotional beats hit just right. It's kind of difficult to talk about because none of the individual moments of this movie seem particularly noteworthy on their own, but added up together it just WORKS. And while this is a tiny moment, it has the most perfect final shot of any movie I've seen lately -- I involuntarily laughed out loud in delight and rewound to watch the last 10 seconds again. Definitely a very strong entry in Spielberg's filmography.

How it entered my Flickchart:

The Fabelmans > Forever Young

The Fabelmans > Kuroneko

The Fabelmans < Secretary

The Fabelmans > The Farewell

The Fabelmans < Down With Love

The Fabelmans > Star Trek

The Fabelmans > Summer Wars

The Fabelmans > Evil Dead II

The Fabelmans > Trainspotting

The Fabelmans > Short Cuts

The Fabelmans > The Cat Returns

The Fabelmans < The Jungle Book (1967)

Final spot: #587 out of 3749, or 84%.

The Friends of Eddie Coyle (1973)

IMDb plot summary: After his last crime has him looking at a long prison sentence for repeat offenses, a low level Boston gangster decides to snitch on his friends to avoid jail time.

Directed by Peter Yates. Starring Robert Mitchum, Peter Boyle, and Richard Jordan.

The Friends of Eddie Coyle stars Robert Mitchum as a convicted thief who is awaiting sentencing and trying to give law enforcement enough tips that he can get a lighter deal. We follow him as well as several of friends planning criminal jobs and trying to evade capture. This is another one of those movies that taps into one of my general peeves about crime movies: so many of them cast people who look way, way too similar so I can't tell them apart. Granted, I am a little face blind, but when you have plot character threads going and all of them feature generic looking young white men with dark hair, it's going to be easy to lose me. It took a good two thirds of the movie for me to even really settle into what was the primary plot and what I was supposed to be following, and while the ending is kind of an interesting one, it wasn't really worth the much less interesting rest of the story. 

How it entered my Flickchart:

The Friends of Eddie Coyle < The Ghost and the Darkness

The Friends of Eddie Coyle > Barry

The Friends of Eddie Coyle < She Loves Me

The Friends of Eddie Coyle > Bobby

The Friends of Eddie Coyle < Another Thin Man

The Friends of Eddie Coyle < Dreamgirls

The Friends of Eddie Coyle < Little Women (1933)

The Friends of Eddie Coyle < Brainscan

The Friends of Eddie Coyle > Burning Annie

The Friends of Eddie Coyle < Nine (2009)

The Friends of Eddie Coyle < Paint Your Wagon

The Friends of Eddie Coyle > Benedetta

Final spot: #2566 out of 3748, or 32%.

Three Thousand Years of Longing (2022)

IMDb plot summary: A lonely scholar, on a trip to Istanbul, discovers a Djinn who offers her three wishes in exchange for his freedom.

Directed by George Miller. Starring Tilda Swinton, Idris Elba, and Erdil Yasaroglu.

Three Thousand Years of Longing stars Tilda Swinton as a narratologist and Idris Elba as the djinn she accidentally discovers on one of her travels. He tells her about the time he's spent trapped in a bottle and asks her to decide what wishes he can grant for her. George Miller picks such intriguing movies to tackle, and this one is definitely intriguing in light of his overall filmography. It's a softer, more fantastical story than he sometimes tells. It's hard to pinpoint what genre this is exactly, as it sort of dances around between romance and historical fantasy and magical realism, and it makes it equally hard for me to pinpoint how I feel about it. The central characters I find compelling and would happily just watch them discussing life in a hotel room together for a full two hours, and it's when the film steps away from that in the final third that I'm less certain it works. The overall effect is that of a beautifully begun but unfinished story, and as such it's hard for me to wrap my head around my view of it at as a whole.

How it entered my Flickchart:

Three Thousand Years of Longing > Forever Young

Three Thousand Years of Longing < Anna Karenina

Three Thousand Years of Longing < Die Hard

Three Thousand Years of Longing > You Can Count on Me

Three Thousand Years of Longing > Isle of Dogs

Three Thousand Years of Longing < Moonlight

Three Thousand Years of Longing > Death at a Funeral

Three Thousand Years of Longing > Nine Lives

Three Thousand Years of Longing < Kill Bill Vol. 1

Three Thousand Years of Longing > The Imposter

Three Thousand Years of Longing > I, Tonya

Three Thousand Years of Longing > American Outlaws

Final spot: #1470 out of 3746, or 61%.

Laal Singh Chaddha (2022)

IMDb plot summary: Laal Singh Chaddha, a simple man whose extraordinary journey will fill you with love, warmth, happiness and will also make you laugh.

Directed by Advait Chandan. Starring Aamir Khan, Ahmad Ibn Umar, and Kareena Kapoor.

Laal Singh Chaddha is an Indian remake of the 1994 Oscar winner Forrest Gump, following a man with below-average intelligence who ends up doing a series of extraordinary things and making his mark on the world in his search to find what makes him happy. For most of the film, this sticks EXTREMELY close to the original, even down to mimicking the costume design and even some of the exact same shots used to portray specific moments in the '94 film. One of the few significant changes it makes is greatly reducing the amount of voiceover. We still see Laal sharing his story with strangers, but many of the events are shown without commentary, which means we often are drawing our own conclusions about how he feels about what's going on. It has the same disability portrayal that rides the line of being infantilizing (and for some folks goes right over it) and I keep going back and forth on whether this movie does it better or worse than Hanks' portrayal, and I still am not sure. Hanks is hands down more charming, but on the other hand, that's what makes Laal feel like a more plausible character. As a whole, though, the two are so similar that I wouldn't recommend seeing this if you've already seen the other, and vice versa.

How it entered my Flickchart:

Laal Singh Chaddha > Forever Young

Laal Singh Chaddha < Anna Karenina

Laal Singh Chaddha < The Romantics

Laal Singh Chaddha < You Can Count on Me

Laal Singh Chaddha < Summer of Soul

Laal Singh Chaddha > Chasing Amy

Laal Singh Chaddha < The Lost Skeleton Returns Again

Laal Singh Chaddha > Phantom Thread

Laal Singh Chaddha > The Score

Laal Singh Chaddha > The Matrix Reloaded

Laal Singh Chaddha > Space Pirate Captain Harlock

Final spot: #1787 out 3747, or 52%.

Purple Hearts (2022)

IMDb plot summary: In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits. But when tragedy strikes, the line between real and pretend begins to blur.

Directed by Elizabeth Allen Rosenbaum. Starring Sofia Carson, Nicholas Galitzine, and Chosen Jacobs.

Purple Hearts is a romance between a Marine and a musician who enter into a fraudulent marriage because they need the money and the health benefits the military will provide. The two have very different political values and don't even like each other at first, but their relationship grows as they get to know each other better. I know our female lead, Sofia Carson, from her work on the Descendants series, and while this is clearly a "next step" movie for her to get her away from her Disney roots, it still *feels* very much like a Disney Channel movie, particularly in how it uses her character and her musical numbers. It's a very shallow simplified take on the story without any effort put into character development. They set up this whole scenario in which their political views are a huge barrier to a real relationship, and then they just... ignore that entirely and she starts saluting the troops before her music gigs out of nowhere. We don't see nearly enough of an actual relationship built between the pair, just a couple sexual encounters and that apparently changes everything. It's a clumsy romance that doesn't hold up to any scrutiny but isn't fun enough to mindlessly enjoy.

How it entered my Flickcharts:

Purple Hearts < Forever Young

Purple Hearts > Nick Nolte: No Exit

Purple Hearts < She Loves Me

Purple Hearts < It's Complicated

Purple Hearts < After the Thin Man

Purple Hearts < VeggieTales: Are You My Neighbor?

Purple Hearts > The Other Sister

Purple Hearts < The Third Man

Purple Hearts < Loving Annabelle

Purple Hearts < Ulysses

Purple Hearts < Obvious Child

Purple Hearts < In the Line of Fire

Final spot: #2779 out of 3745, or 26%.

Hook, Line and Sinker (1930)

IMDb plot summary: Two fast-talking insurance salesmen meet Mary, who is running away from her wealthy mother, and they agree to help her run a hotel that she owns.

Directed by Edward F. Cline. Starring Bert Wheeler, Robert Woolsey, and Dorothy Lee.

Hook, Line and Sinker is a 1930 comedy about two insurance salesmen who get into the hotel business with a young woman. It goes successfully, until two rival crime gangs decide to break into the hotel safe at the same time. This is the kind of movie that I immediately had to look up to find out if it was a vehicle for the two leads as a comedy team, and it absolutely was; the pair, known professionally as Wheeler & Woolsey, made three other films together in 1930 alone. Their chemistry and fun back-and-forth patter is definitely the foundation of the movie, and it's responsible for most of the laughs. Although the setup is enjoyably farcical, it's the two leads' reactions to it that really sells it. There's not a lot of substance here, but at only 75 minutes long, it doesn't wear out its welcome either. Definitely worth a watch for anyone looking for lesser-known 1930s comedies!

How it entered my Flickchart:

Hook, Line and Sinker > Forever Young

Hook, Line and Sinker < Safe

Hook, Line and Sinker < Die Hard

Hook, Line and Sinker > Fanboys

Hook, Line and Sinker > Interview with the Vampire

Hook, Line and Sinker > Raising Cain

Hook, Line and Sinker < Timecop

Hook, Line and Sinker > Fury

Hook, Line and Sinker > All About My Mother

Hook, Line and Sinker < Poltergeist

Hook, Line and Sinker > Furlough

Final spot: #1438 out of 3744, or 62%.